Trump’s racism

Excellent post below. The Washington Post wouldn’t let me call Trump a racist in comments on their articles. To me, mainstream media is a big part of their problem when they are too cowardly to call him a liar or racist.

A decade ago, when Trump one the first time, I and other Black writers tried to make us see that racism — both explicit and deeply seeded — was at the root of Trump’s rise. We were dismissed even as late as last year as people attributed economic anxieties to Trump’s wins.DO YOU BELIEVE US NOW?

Ida Bae Wells (@nhannahjones.bsky.social) 2026-01-12T21:05:12.228Z

Posts on Bob Weir

I really like Bob Weir’s’ solo album Ace (1972). It’s a lot like Grateful Dead albums from that time but a lot livelier.

Netflix has a good biography of Weir.

Bob Dylan writing about Bob Weir in The Philosophy of Modern Song

Ray Padgett (@raypadgett.bsky.social) 2026-01-11T00:34:46.684Z

The Empire State Building honors Bob Weir.

Hoodlum 🇺🇸 (@nothoodlum.bsky.social) 2026-01-11T02:13:04.635Z

A documentary worth the watch. The Other One: The Long, Strange Trip of Bob WeirI see it's streaming on Netflix. Not sure where else.www.imdb.com/title/tt3692…

(@zzorgon.bsky.social) 2026-01-11T00:37:07.025Z

Outstanding article on former federal employees

They were fired by Trump or left because of him. This article humanizes the situation by focusing on individuals. As a retired federal employee, I really appreciate the value of institutional knowledge. Trump will have a permanent negative impact on the government and all

At the end of Donald Trump’s first year back in office, roughly 300,000 fewer Americans worked for the government. Franklin Foer spoke with 50 federal employees who were either fired or forced out:

The Atlantic (@theatlantic.com) 2026-01-11T19:04:09Z

At the end of Donald Trump’s first year back in office, roughly 300,000 fewer Americans worked for the government. Franklin Foer spoke with 50 federal employees who were either fired or forced out:

The Atlantic (@theatlantic.com) 2026-01-11T19:04:09Z

Noem claims the left is using vehicles as weapons – the right is actually doing it.

Noem: "People need to stop using their vehicles as weapons … it's clear that it's being coordinated. People are being trained"

Aaron Rupar (@atrupar.com) 2026-01-07T23:34:01.945Z

There are several examples like the one below of people using cars as weapons against anti-ICE protesters abc7ny.com/post/several…

Harris Levy (@harrislevy.bsky.social) 2026-01-08T06:00:58.786Z

Noem should do something about them but she probably approves of attacks on anti-ice protesters.

Harris Levy (@harrislevy.bsky.social) 2026-01-08T06:02:15.833Z

The Atlantic calls the Trump administration liars about the Minnesota murder

Good for them. The approach by the New York Times and Washington Post was much wimpier. They are cowards.

This observation is as straightforward as it is crucial, worth reading every word, from @adamserwer.bsky.social's latest:

Adrienne LaFrance (@adriennelaf.bsky.social) 2026-01-08T19:38:07.352Z

This is going to be like the 1/6/21 insurrection. There will be “alternative facts”. The Trump cult will believe the victim is at fault while the rest of know she was murdered by ICE. That’s what the video shows.

I have been watching a lot of French films – part one

I have been watching a lot of French films lately. I started by watching Bertrand Tavernier’s My Journey Through French Cinema. It’s over three hours long and is an outstanding overview by a director who knew many of the people he discusses. I started to watch his follow up Journeys Through French Cinema which is over seven hours long but stopped to watch some actual films.

For the most part, I didn’t watch films by the most famous directors such as Truffaut, Godard, Bresson and Renoir since I had seen many of their films. I concentrated on films by lesser known directors like Claude Sautet and Jacques Deray. I am partial to crime films.

I did watch a few films by my favorite French directors. I saw Robert Bresson’s early
Les Dames du bois de Boulogne (1945). This was made before his mature films featuring non-professional actors and has a great performance by Maria Casares. It’s not one of his best films and is conventional compared to his later work but it’s still worth watching.

Then there is Elena and Her Men (1956) by Jean Renoir. The best part is the performance by Ingrid Bergman. Otherwise, it’s an above average story about Elena and her many suitors. It’s in color too unlike most Renoir films.

I enjoyed La Poison directed by Sascha Guitry (1951). It has an unusual sequence showing Guitry thanking his actors. The film is about a husband and wife who despise each other and both plot murdering their spouse. It doesn’t sound like it but it’s actually a comedy. The husband is played by Michel Simon who does a great job of making a despicable character likeable.

All three are available on the Criterion Collection discs which is how I watched them. They always do an outstanding job.