I saw Loggins and Messina and Jim Croce on March 13, 1973 at the Syria Mosque in Pittsburgh. The Mosque was a great concert hall and I have posted about it.
Jim Croce was the opening act. He was much more of a folk musician than you would know from his hit records. I assume all of the rock background was added on the record to make them more popular with a wider audience. On stage, it was just him and Maury Muehleisen who accompanied him. They both died in a plane crash on September 20, 1973 They both played acoustic guitars. Croce told a lot of stories and was very amusing as I recall.
Loggins and Messina had released two albums by that point. They toured with a full band. I don’t recall much except that Jim Messina stood off to the side when he did guitar solos.
NEW: The Delta variant of COVID-19 has been confirmed in at least three test samples tied to COVID-19 outbreak at a Texas church summer camp where 125+ people became infected with the virus, according to the Galveston County Health District (GCHD).
More than 80 cases have been reported so far in an infection surge linked to an international flight crew transported to a quarantine hotel from the airport.https://t.co/mIipLyZ9mj
M.U.L.E. was my favorite game that was ever developed for the Atari. It was on a disc, not a cartridge. It was released by Electronic Arts in 1983 when the company was new. Obviously, it looks primitive today but it was great for its time. It was later made for the Commodore 64 and other systems.
M.U.L.E. was a multiplayer game where players could develop land parcels they owned on the planet IRATA. There could be random events like fires or sunspots that could help you or hurt you. There were no weapons or people getting killed.
The Beach Boys played the Civic Arena in Pittsburgh on April 17, 1974, with Steely Dan as the opening act. Now that was a strange combination.
Steely Dan was introduced by one of their roadies as Mr. Steely Dan. See the description here of a similar introduction.. They had two drummers but no horn section. On “My Old School”, they used a guitar to cover the horn parts.
The Beach Boys had 10 people on stage but Brian Wilson wasn’t one of them. At one point, they had five people playing keyboards. The audience was not interested in their modern work, they only wanted to hear the oldies like “Fun Fun Fun”. This was sad as the Beach Boys were making some good music in the 1970s which built on their old stuff but was more sophisticated.
The photo at the bottom is of a backstage pass for the show that I bought on eBay:
It’s not voter suppression, it’s letting legislatures and judges overturn elections. This is strictly a problem caused by Republicans.
This is the realm of election reform that Congress hasn't touched on yet. HR1/HR4 deal with *casting* votes but 2020 reveals vulnerabilities in the system of *counting* and certifying votes. Experts identify them to @BenjySarlin and propose safeguards.https://t.co/UH1Ex4A6Uw
Maybe you could convince me the chances of the GOP subverting the election in 2024 are overrated—but it's not just a 2024 issue. If a whole generation of Republican elected officials believe in the Big Lie (or vouch for it for utilitarian reasons) you've got a long term problem.
Agree state subversion seems more plausible than Congress overturning a result itself. And the fact that we're debating how exactly election subversion might take place underscores the threat. Not likely or certain, but unacceptably high. https://t.co/Boz5HZS3ES
"Seven months after Election Day, former President Donald Trump’s supporters are still auditing ballots in Arizona’s largest county and may revive legislation that would make it easier for judges in Texas to overturn election results."https://t.co/mjhNtc7LjM
The Right has moved on from talking about winning elections.
The discussion has turned to how to rig elections, how to overturn them, how to steer the country in the direction of Russia and Hungary and bypass the will of the people altogether.
Despite disappointing jobs reports in the spring, experts say there's no evidence the $300 per week is slowing the economic recovery. https://t.co/vp0xx8E1U8
NYT and WSJ reach contradictory conclusions this morning absolutely it the effect of ending enhanced unemployment assistance in Missouri. pic.twitter.com/QJDxFdbVfb
They put democracy ahead of transactional politics. We hope that the rest of Corporate America will follow their lead. pic.twitter.com/BFvOwbU4MZ
— The Lincoln Project (@ProjectLincoln) July 8, 2021
ICYMI: “The Lincoln Project, a group focused on antagonizing President Donald J. Trump during his re-election bid, is targeting corporations linked to Republicans who disputed the 2020 presidential vote and played down the attack on the U.S. Capitol…”https://t.co/ShqL7hmKza
— The Lincoln Project (@ProjectLincoln) July 8, 2021
Toyota has now donated to 38 of the members of Congress who voted against certifying the election, far more than any other company, per @CREWcrew’s tracker. There is no amount of context that makes that acceptable. https://t.co/SrnvR5rFjR
Here’s a running list of corporate traitors to our democracy: Toyota Boeing iHeartMedia Inc. Delta JetBlue Comcast AT&T Home Depot Walmart PNC Lockheed Martin American Crystal Sugar Koch Industries Fresenius Medical Care Holdings, Inc. CVS Health Cigna General Electric
Your weekly reminder that since the insurrection, corporate interests have given $5.1 million benefitting the 147 members who voted not to certify the election results.
This week we're spotlighting Boeing, which has given $210,000 to the sedition caucus.
"Toyota put out, what is to my memory, the worst statement in the past couple years of corporate PR," Brian Williams says on Toyota defending donations to Republicans who voted against certifying the 2020 election. https://t.co/zRK4vPj4VS
Here are five albums that were very disappointing based on their predecessors. I have included my favorite songs from the albums which make them sound better than they are.
Wake of the Flood – The Grateful Dead (1973)
Wake of the Flood was the Grateful Dead’s first studio album since the outstanding American Beauty (1970). It was the first record on their own label. It followed the live Europe ’72 which had many excellent new songs. Wake only has one good song – the first one “Mississippi Half-Step Uptown Toodeloo” (with Vassar Clements on fiddle). Some of the others are so laid-back that you could fall asleep – I’m talking about “Stella Blue” and “Row Jimmy”.
Try Bob Weir’s 1972 solo album Ace. It’s much livelier and much better.
Cahoots – The Band (1971)
Even the Band knew Cahoots was a bad album. I saw them perform three times after it was released and they only performed “Life Is a Carnival” from it. That’s the only song from it on the live Rock of Ages which was recorded just months after Cahoots was released. There are two good songs on Cahoots – “Life Is a Carnival” with the great Allen Toussaint horn arrangement and Bob Dylan’s “When I Paint My Masterpiece”. My opinion hasn’t budged in the 50 years since it was released. It was a huge disappointment after the first three albums and I doubt it will get a deluxe reissue like they did.
What a disappointment. 1979’s Into the Music was one of Morrison’s best album and Common One is best suited to be a frisbee. Sluggish and quiet. Boring.
Goats Head Soup – The Rolling Stones (1973)
Maybe your opinion of Goats Head Soup depends on what you think of the single “Angie”. I don’t like ballads and I think it sucks. This was a huge letdown after the superb 1968-1972 run from Beggars Banquet through Exile on Main Street.
Diamonds in the Rough – John Prine (1972)
“Diamonds in the Rough is kind of miscast on this list. The performances and arrangements by Prine backed by Steve Goodman, David Bromberg and Steve Burgh are superb. They take Prine’s acoustic performances and sweeten them up for mass consumption. I wish this group had recorded his first album which has too much rock for me. The problem is that the songs aren’t nearly as good as the ones on his debut. “Everybody” is the only one that can stand with them.